Do...
- Build on what the other person says
- Be supportive and willing to go with whatever others say
- React to each other and to the audience
- Mime props
- Create fake names, relationships, etc. for the characters
- Trust your teammates and work to help them out (don't leave them hanging)
- Use movement and volume change to increase the interest level
- Listen to each other, if you do not then it impossible to build on the others ideas
Don't...
- Repeat the same line/action again and again... (this creates a rut)
- Get stuck in the gym or a fight/chase scene (these should be avoided because they are difficult to escape)
- Go too crazy. Normal things are easier to act and can be even more interesting
- Shut down the other person. Even if the character you have picked is very closed off, if you continue to ignore or refuse to interact with the other characters nothing can be built up or grow (also the others will give up) see yes but game
- Use real names (This removes the make believe element and pushes the person back towards acting like them self
Awesome Show with amazing improv. |
Feedback on our First Commedia Run-Through
- Add in more playfulness in improvisation (BUT still in mask)
- Struggle with spontaneity, is it easier in mask?
- Playing a character and not judging yourself
- Easier to have a base in character or story
- Figure out scene changes (BUT energy was good)
-Know what to bring on BUT can mess it up in improv
-Shorten some scenes: remember order on story (posters on the sides)
- Get audience involved with signs ( “Boo”, “Ahh”)
- Fix last scene, on the sofa
- The hoover scene dragged on, on reflection though it worked in rehearsal it didn’t make sense during the performance.
- Face the front (remember mask must face audience, no side-facing)
- Don’t slide chairs on during scene change (squeaky sound)
- Guitar/love scene, more over the top, ridiculously melodramatic
- Louder voices (Zanni voices really energetic, project well)
- Maybe a little too long (cut back about 10 min, to 1 min) must keep PACE
- Pantalone face downstage (you are important character, have power downstage)
- Rose's Reaction (react to Mickey, energy x1000, really reject Mickey)
- Dragging=good for initial date, BUT not more dragging in the cinema scene
- Pantalone should have monologue to audience to tell story of Jack’s money, turn directly to audience (think Gollum)
- Use upstage arms and legs, keeps body open to audience, doesn’t block
- Hoover/scene does not work, not funny
- Meeting of lovers, must be lovey-dovey, over the top, need physical contact
- Jack stands like a girl (sorry everyone)
- “All you need is love!” shout at audience and get them involved
- Drop in movie and music quotes/lines (add in musical moments, “We are never ever getting back together” “What makes you beautiful”)
- Chairs in cinema…did it work
- “Mickey’s got the money” downstage and louder and center
Thursday-Mr. Fearnehough was gone so we were left to work on our commedia work. We worked on finishing our masks and putting them into the display case. We discussed the ending of our commedia piece.
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