Tuesday's and Thursday's
lesson was spent creating a puppet made out of newpaper and masking tape in
preparation for Friday’s workshop with the 3 Ouroboros actresses. We managed to
create a pretty good puppet (which we rushed at the end). I think we did a good
job in making a puppet that we were able to manipulate well.
Friday the 3 puppeteers came in, we started by learning each other’s names with a warm up exercise. We stood around in a circle and said our names to a clapping beat; we then said it in a different voice and then went on to add an action. This helped create the ensemble feel and make us feel more comfortable with the 3 actresses. We then watched the Ted Talk Video about Handspring Puppet Theatre. On this Ted Talk we were shown a puppet of a hyena and we were explained about the movement and manipulation of all puppets. The video then went on to talk about War Horse and a horse puppet was shown on stage. It was so life like and the characteristic of a horse was portrayed amazingly by the movement of ears, the legs and even the breaths and sounds.
Friday the 3 puppeteers came in, we started by learning each other’s names with a warm up exercise. We stood around in a circle and said our names to a clapping beat; we then said it in a different voice and then went on to add an action. This helped create the ensemble feel and make us feel more comfortable with the 3 actresses. We then watched the Ted Talk Video about Handspring Puppet Theatre. On this Ted Talk we were shown a puppet of a hyena and we were explained about the movement and manipulation of all puppets. The video then went on to talk about War Horse and a horse puppet was shown on stage. It was so life like and the characteristic of a horse was portrayed amazingly by the movement of ears, the legs and even the breaths and sounds.
I learnt that you have to understand the body of
an animal or human to be able to manipulate a puppet which is an animal or a
human.
Before working with our
puppet ‘Monty’ we worked on ‘eyeline’. Eyeline is the second most important thing
when it comes to puppetry. We used teddy bears and each had an actress pointing
where to look and we would have to make the teddy react to where the actress
was and move to that point. At first I found this hard but then when I put my
eye near to where the teddy’s eyes were it was much easier for me to get the Eyeline
right. I realised how important eyeline is and if it is off it can change the
whole thing the puppet is looking at so maybe changing the story.
After this we started
working with ‘Monty’. I was the right hand puppeteer, Lydia was the foot
puppeteer and Axel was head puppeteer. I think I had the easiest role to do,
because Axel had to speak and remember to control the eyeline and keep the
puppet alive. Lydia seemed extremely uncomfortable in the positions she had to
do. My role was to only love the right hand according to to left and what axel
was doing. Even though I thought my role was easy it was quite tricky to be
coordinated with Axel and what the 3 puppeteers said ‘you have to die in order
for the puppet to live’ is very much true.
We spent a long time
focussing on our puppets movement; we were all focussing but sometimes forgot
even if the puppet id lying down it is breathing. We also learnt that we have
to think about our own actions so that we can portray the correct actions of
the puppet in order for it to be realistic. If we did not do the actions properly
it would not be as effective.
After we worked on the
movement of ‘Monty’ we all created a short piece to perform to years 2 and 4.
We wanted to make our little piece funny because we thought it would keep the
children intrigued and it would be more successful than if we did something
serious. We had the idea of using lazzi which we learnt when we studied
Commedia last year. We thought that ‘Monty’ could have his own puppet show and
that things could go wrong. We decided on him making a pancake and then making
him drop it which would be slapstick and then we got a volunteer from the
audience to have a go at flipping a pancake. Of course this pancake was not
real but it was still enjoyable and didn’t stop the flow of our piece. We got
lots of laughs off the children which was our aim. During the performance I thought
that we succeeded with the way we worked together and manipulated the puppet.
After the performance we helped
the year 4’s and 2’s make puppets for themselves, we helped them create the
puppets and explained to them how to move the heads and body parts. I saw that
the children understood about the movement of the head and I saw a lot of them
manipulating the heads.
It was so amazing to have 3 professionals with us, I think it will help
us with future work and their experience and knowledge helped us a lot with our
own puppet ‘Monty’. It was very exciting to work with the young children again
and I am excited to possibly work with primary again this time on our own
showing the things we have learnt from the 3 puppeteers
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